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The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. This list may not reflect recent changes. A.
It was during this period that Blake was commissioned to create over one hundred paintings intended to illustrate books of the Bible. These paintings depict "The Great Red Dragon" in various scenes from the Book of Revelation. And behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads.
Revelation's historical context may also influence the depiction of the black horse and its rider, Famine. In AD 92, the Roman emperor Domitian attempted to curb excessive growth of grapevines and encourage grain cultivation instead, but there was a major popular backlash against this effort, and it was abandoned. Famine's mission to make wheat ...
Jean Duvet's series of the same name, Apocalypse, is a set of 15 engravings that emulates the subject matter taken on by Dürer in his mature cycle. Though of the same topic, Duvet creates his set utilizing his own unique engraving style.
Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
On Folio 27v of the Bamberg Apocalypse is the first full depiction of Revelation 11 with a narrative divided into three key scenes. The figures on the top preach as the beast attacks two witness that then get resurrected on the bottom right register. The Bamberg Apocalyse is the only extant illustrated Ottonian Apocalypse manuscript. [3]
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