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An important center for Art Nouveau furniture design and manufacture was in Nancy, in eastern France, where Louis Majorelle had his studios and workshops, and where the Alliance des industries d'art (later called the School of Nancy) had been founded in 1901. Both designers based on their structure and ornamentation on forms taken from nature ...
Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste.
François-Émile André (August 22, 1871 – March 10, 1933) was a French architect, artist, and furniture designer. He was the son of the architect of Charles André and the father of two other architects, Jacques and Michel André. André, a proponent of Art Nouveau architecture created Villa Les Glycines.
In 1895-6, he built a new studio and his own house on the Boulevard Lobau in Nancy, which became what is now considered (in a crude form) the first Art Nouveau edifice in the city with the help of his friend, architect Georges Biet. In return, Vallin was responsible for the furniture that adorned Biet's house at 22, rue de la Commanderie, in Nancy.
Hector Guimard (French pronunciation: [ɛktɔʁ ɡimaʁ], 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger , the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the ...
Our guide to Art Nouveau architecture explores the late 19th-century movement known for flowing lines and organic forms and how it influenced the culture.
Dufrêne found a position as a manager and furniture designer at La Maison Moderne of Julius Meier-Grafe, whose showrooms displayed rooms decorated in Art Nouveau style. [2] There he worked with designers such as Henry van de Velde, Victor Horta, Charles Plumet and Anthony Selmersheim. [1]
Some models also became icons of design history: the rocking chair no. 1 from 1860, later on in the 19th century the successful models no. 18 and no. 56, around 1900 the elegant no. 209 with its curved armrests, which Le Corbusier adored, and in 1904 the art nouveau armchair 247 by Otto Wagner, the so-called postal savings bank chair, to name ...
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