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Elmer, Richard M. "'How Great Thou Art! "The Vicissitudes of a Hymn." The Hymn 9 (January 1958):18–20. A discussion of the two translations of the text by E. Gustav Johnson and Hine. Richardson, Paul A. "How Great Thou Art." Church Musician 39 (August 1988):9–1 1. A Hymn of the Month article on the text by Carl Boberg as translated by Hine.
How Great Thou Art" - 3:51 "Swing Low, Sweet Chariot" - 4:12 "It Is No Secret (What God Can Do)" - 5:17 "Kneel at the Feet of Jesus" - 2:34 "Just as I Am" - 3:40 "Just a Closer Walk With Thee" - 6:59 "Farther Along" - 5:21 "What a Friend We Have in Jesus" - 3:19 "In the Garden" - 5:05
How Great Thou Art may also refer to: Albums. How Great Thou Art (Elvis Presley album), 1967; How Great Thou Art (Willie Nelson album), 1996;
Thou madest him to have dominion over the works of thy hands; thou hast put all things under his feet: All sheep and oxen, yea, and the beasts of the field; The fowl of the air, and the fish of the sea, and whatsoever passeth through the paths of the seas.
"Yahweh" received mainly mixed reviews from critics, many of whom had different interpretations of the song. Christopher Gray of The Austin Chronicle called the song the "closing prayer" of the album and thought the song was ambiguous, saying that it "could be about Jesus or the two kids Bono and wife, Ali, have had since All That You Can't ...
The vocals on "Ya Hozna" song are all backwards, although the backing track and guitar are mostly forwards. The vocals are made up of distorted outtakes from "Valley Girl", "Lonely Little Girl", and "Sofa #2". [93] The lyrics sheet reads, "backwards vocal — you figure it out". [33]
Of his works, "O store Gud" ('O Great God'), upon which "How Great Thou Art" is based, the best known. The song is a natural romantic description of God's creation, which in each chorus ends with the songwriter wanting to cry out that God is great. It was written after Boberg experienced a thunderstorm at the Kalmar Strait. [4]
The song was augmented by Ralph Carney on tenor saxophone, Marc Ribot on guitar, and Michael Blair on drums. [1] [2] To alter the timbre of his voice, Waits sang the lyrics through a bullhorn. [4] For the extended remix of "Hang on St. Christopher", a train sound effect was added to the track, which Waits was particularly pleased with. [3]