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Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1] The term means "writing with fire", from the Greek pyr (fire) and graphos (writing). [2]
Gourd decoration, including pyrography, is an ancient tradition in Africa and Asia as well as among the indigenous peoples of the Americas, [2] notably the central highland people of Peru, the Navajo, Hopi and Pueblo nations of the American Southwest, and the Nuxálk and Haida nations of British Columbia. Gourd crafting and painting has evolved ...
Ray Ferrer (USA) - spray paint, hand-cut stencils. Josh MacPhee (USA) - stencil graffiti, street poster art, screenprinting. Scott Williams (USA) Christopher Wool (USA)
Stencil printing is the process of depositing solder paste on the printed wiring boards (PWBs) to establish electrical connections. It is immediately followed by the component placement stage. The equipment and materials used in this stage are a stencil, solder paste, and a printer. The stencil printing function is achieved through a single ...
Leather stamping involves the use of shaped implements (stamps) to create an imprint onto a leather surface. This is a form of artistic expression and many in the leathercrafting world consider it an artform. The stamping is generally performed by using specially designed leather stamps that are struck with a mallet.
A mimeograph machine (often abbreviated to mimeo, sometimes called a stencil duplicator or stencil machine) was a low-cost duplicating machine that worked by forcing ink through a stencil onto paper. [1] The process was called mimeography, and a copy made by the process was a mimeograph. Mimeographs, along with spirit duplicators and ...
The Cyclostyle duplicating process is a form of stencil copying. A stencil is cut on wax or glazed paper by using a pen-like object with a small rowel or spur-wheel on its tip. A large number of small short lines are cut out in the glazed paper, removing the glaze with the spur-wheel, then ink is applied.
The Gestetner Cyclograph was a stencil-method duplicator that used a thin sheet of paper coated with wax (originally kite paper was used), which was written upon with a special stylus that left a broken line through the stencil, removing the paper's wax coating. Ink was forced through the stencil (originally by an ink roller), and it left its ...
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