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One developing sociomusicological theory in computational musicology is the "Discursive Hypothesis" proposed by Kristoffer Jensen and David G. Hebert, which suggests that "because both music and language are cultural discourses (which may reflect social reality in similarly limited ways), a relationship may be identifiable between the ...
A CPU cache [71] is a hardware cache used by the central processing unit (CPU) of a computer to reduce the average cost (time or energy) to access data from the main memory. A cache is a smaller, faster memory, closer to a processor core , which stores copies of the data from frequently used main memory locations .
Computer audition (CA) or machine listening is the general field of study of algorithms and systems for audio interpretation by machines. [ 14 ] [ 15 ] Since the notion of what it means for a machine to "hear" is very broad and somewhat vague, computer audition attempts to bring together several disciplines that originally dealt with specific ...
Some of the material covered in the course involves sight reading, in-depth terminology, musical phrasing and musical composition, music history, chord structure, cadences, musical texture, and other areas of music theory. In addition, part-writing is an integral part of the course, as it takes up half of the 8 units covered. This course is ...
Computer music systems and approaches are now ubiquitous, and so firmly embedded in the process of creating music that we hardly give them a second thought: computer-based synthesizers, digital mixers, and effects units have become so commonplace that use of digital rather than analog technology to create and record music is the norm, rather ...
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Music appreciation is a division of musicology that is designed to teach students how to understand and describe the contexts and creative processes involved in music composition. The concept of music appreciation is often taught as a subset of music theory in higher education and focuses predominantly on Western art music , commonly called ...
C.P.U. Bach (also known as Sid Meier's C.P.U. Bach) is an interactive music-generating program designed by Sid Meier and Jeff Briggs for the 3DO.It can create Baroque music in the style of Bach for various keyboard, wind, or string instruments and in a variety of forms (e.g., concerti, fugues, minuets, chorales).