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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
Suite Hébraïque for viola and piano or orchestra (1951) Johannes Brahms (1833–1897) Sonata No. 1 in F minor for viola and piano, Op. 120 No. 1 (1894) Sonata No. 2 in E-flat major for viola and piano, Op. 120 No. 2 (1894) Two Songs for voice, viola and piano, Op. 91 (1884) Max Bruch (1838–1920) Concerto for Clarinet, Viola, and Orchestra ...
Lion (Elevation Worship song) The Lion and the Unicorn; The Lion Sleeps Tonight; R. Roar, Lion, Roar; T. Three Lions (song)
D Jean Daetwyler (1907–1994) Concerto for viola and orchestra (1979) Jörgen Dafgård (b. 1964) For the Sleeping: Dream Sonata for viola and tape (1997–1998) Frames and Flow, 6 Duets for violin, viola and cello (1988–2000); Nos. 1 and 3 for viola and cello; Nos. 2 and 5 for violin and viola; STIM; Swedish Music Information Centre Roland Dahinden (b. 1962) broken lines for viola and ...
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G Morten Gaathaug (b. 1955) 5 Duets for violin and viola, Op. 2b (1978); Music Information Centre Norway Norwegian Fantasy for clarinet, viola and piano, Op. 44b (1994); Music Information Centre Norway Quasi una fantasia for viola and piano, Op. 12d (1980, 2002); Music Information Centre Norway Kenneth Gaburo (1926–1993) Ideas and Transformations No. 1 for violin and viola (1954–1955 ...
There were also two sacred Masses and various songs, such as In Old Japan (setting W. E. Henley), The Return (setting Arthur Symons) and The Watcher, op. 74 (setting James Stephens). Once in the US, Forsyth composed The Last Supper: a Lenten Meditation in 1916 for chorus and orchestra, and two choral ballads for soloists with orchestra, Tinker ...