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The technology of transfer printing spread to Asia as well. Kawana ware in Japan developed in the late Edo period and was a type of blue-and-white porcelain. Burleigh, made in Burslem, Stoke-on-Trent, is the last pottery in the world to still use transfer printing on its ceramics. [17] [18]
A ceramic decal is a transfer system that is used to apply pre-printed images or designs to ceramic tableware, ornamental ware and tiles, and glass containers.. A decal typically comprises three layers: the color, or image, layer which comprises the decorative design; the covercoat, a clear protective layer, which may incorporate a low-melting glass; and the backing paper on which the design ...
Pad printing (also called tampography) is a printing process that can transfer a 2-D image onto a 3-D object (e.g., a ceramic pottery).This is accomplished using an indirect offset printing process that involves an image being transferred from the cliché via a silicone pad onto a substrate.
A decal being attached to a piece of machinery. A decal (/ ˈ d iː k æ l /, US also / d ɪ ˈ k æ l /, CAN / ˈ d ɛ k əl /) [1] or transfer is a plastic, cloth, paper, or ceramic substrate that has printed on it a pattern or image that can be moved to another surface upon contact, usually with the aid of heat or water.
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England.Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware and bone china.
By around 1875 decalcomania designs printed in colored glazes were being applied to porcelain, an extension of transfer printing, which had been developed in England since the late 18th century. The decalcomania was applied over an already glazed surface and re-fired.
Petrie is known for blending printmaking and glass/ceramics for creative use. This includes the development of new processes and the dissemination of new practice internationally. He has written two books on the subject - Glass and Print and Ceramic Transfer Printing - and published a number of articles in key journals. [1]
In Europe the transfer printing technique for ceramic ware was developed in the 18th century. This technique enables the production of patterns of consistent quality. The size of the kiln and the resulting production volume at Kōjaku-in was small and sales numbers were commercially limited.