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Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Reading Stele Nest Stone by Li Cheng (919–967). The northern landscape style (Chinese: 北宗画; pinyin: běi zōng huà) was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the Five Dynasties period that occupied the time between the collapse of the Tang dynasty and the rise of the Song.
Unlike earlier examples of Chinese landscape art, the grandeur of nature is the main theme, rather than merely providing a backdrop. [3] A packhorse train can barely be seen emerging from a wood at the base of a towering precipice. The painting's style encompasses archaic conventions dating back to the Tang dynasty. [6]
The piece most frequently held as a template of his style is Mount Lu, an ink painting on silk scroll which gives a rather fantastical rendering of one of Jiangxi's natural landmarks. [2] The work is a tight, vertical composition, employing Jing's newly developed cun fa technique to compress the landscape into layers of jutting rock-pillars ...
Li Cheng did many landscape paintings with diluted ink, a technique called "treating ink like gold", which gives the appearance of a foggy dream world. In his day, he was considered the greatest landscape painter of all time. His paintings carried on an artistic dialogue with those of Wu Daoxuan. Li Cheng primarily portrayed the landscapes of ...
Juran (Chinese: 巨然; Wade–Giles: Chü-jan) (fl. 10th century) was a Chinese landscape painter of the late Five Dynasties and Ten Kingdoms and early Northern Song periods. Very little is known about Juran's life, and not even his family name is known (Juran is his Buddhist name).
His rejection of the refined, gentle brushwork of his era in favour of the cruder style of the eighth century is considered to have brought about a revolution that created the modern Chinese landscape painting. He was known for his paintings of horses. His landscapes are also considered to be done in a style that focuses more on a literal ...
Wang Hui (simplified Chinese: 王翚; traditional Chinese: 王翬; pinyin: Wáng Huī; 1632–1717) was a Chinese landscape painter, one of the Four Wangs. He, and the three other Wangs, dominated orthodox art in China throughout the late Ming and early Qing periods. Of the Four Wangs, Wang Hui is considered the best-known today.
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