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Les Daniels noted that while The Lair of the White Worm had "potential", it was undermined by the "clumsy style" of the writing. [4] The horror critic R. S. Hadji placed The Lair of the White Worm at number twelve in his list of the worst horror novels ever written. [5]
The Lair of the White Worm was first made available for home media by Vestron Video, who distributed a VHS in North America in May 1989. [35] On 19 August 2003, Artisan Entertainment released the film on DVD. [36] Vestron Home Entertainment released the film for the first time on Blu-ray in 2017 through their Vestron Video Collector's Series ...
Bram Stoker used this legend in his short story Lair of the White Worm. [17] The sighting of a "whiteworm" once was thought to be an exceptional sign of good luck. [16] A painting of the city of Worms and the Lindworm, as depicted in the story by Juspa Schammes. The painting was displayed in Cold Synagogue, Mogilev.
In 1988, Sammi Davis had a major supporting role in another Ken Russell movie, The Lair of the White Worm, where she carried the part of the Mary Trent farm resident as Peter Capaldi's love interest. [ 1 ] [ 2 ] Between 1991 and 1993, Sammi Davis had a lead as Caroline Hailey in the successful American television series, Homefront .
The story states that the young John Lambton was a rebellious character who missed church one Sunday to go fishing in the River Wear.In many versions of the story, while walking to the river, or setting up his equipment, John receives warnings from an old man (or a witch – depending on who tells the story) that no good can come from missing church.
As the creature attempts to mesmerize him with its piping, Conan fans the coals in his helmet into white heat and then sends firstly his heated axe, and secondly the helmet with the glowing coals, into the monster's maw. Conan then runs out of the caves, barely making his escape as the Remora's death throes cause the glacier to explode in an ...
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In the 2005 book Horror: Another 100 Best Books, the author Storm Constantine remarked that "they come across as slightly camp now, but still with the power to captivate". [1] In the 1991 book The Science-Fantasy Publishers: A Critical and Bibliographic History , the authors Jack L. Chalker and Mark Owings noted "superb stories". [ 2 ]