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The stitches that create the Aran knitting patterns are complex and the knitted goods are time-consuming to create. For example, a typical Aran sweater will have over 100,000 stitches, and may take several months to finish. The three dimensional effect of the twisted stitches also increased the warmth of the clothing by creating air pockets. [2]
Many of their sweater patterns most closely associated with knitted ski sweaters have been published in English by the manufacturing company. The heritage of Norwegian knitting has been preserved, documented and translated into English language history, and pattern books, that are available to modern knitters, mostly notably by the author ...
Marius sweaters (Norwegian: Mariusgenser) are Norwegian-style knitted sweaters with patterns inspired by traditional Setesdal sweater (Norwegian: Setesdalsgenser), but without lice, a type of pattern. While the traditional sweaters used the natural colors of sheep wool - black, gray, brown and white - Marius sweater designs incorporated colors ...
In Norway, the pattern was already in use prior to 1857 on sweaters from Western Norway based on Danish designs. [ 1 ] Marit Guldsetbrua Emstad (born 1841), [ 2 ] a girl from Selbu, popularized the design in 1857 when she knitted three pairs of mittens with an eight-petalled rose design ( åttebladrose ) and brought them to church.
Detail of lusekofte pattern. The lusekofte (Norwegian: [ˈlʉ̀ːsəˌkɔftə], lice jacket), also called the Setesdalsgenser (Setesdal sweater) is a traditional Norwegian sweater, dating from the 19th century. The original sweater features a black and white design, the name referring to the isolated black stitches. [1]
The first commercially available Aran knitting patterns were published in the 1940s by Patons of England. Vogue magazine carried articles on the garment in the 1950s, and jumper exports from the west of Ireland to the United States began in the early 1950s. Standun in Spiddal, Co.Galway was the first to export the Aran sweater to the USA.
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