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It has been recorded numerous times and has become a jazz standard. [4] Gary Giddins stated that the song "set the music world on its ear" and that it was "part of the funky, back to roots movement that Horace Silver, Mingus, and Ray Charles helped, in different ways, to fan". [5]
Latin jazz is jazz that employs Latin American rhythms and is generally understood to have a more specific meaning than simply jazz from Latin America. A more precise term might be Afro-Latin jazz , as the jazz subgenre typically employs rhythms that either have a direct analog in Africa or exhibit an African rhythmic influence beyond what is ...
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
The power that is provided from a preamp or mixing board is called "phantom power". cover or cover song. When a band plays a song that has been composed and recorded by another band, this is called a "cover tune"; also used as a verb (e.g. "to cover" a song by a certain band).
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
A recording by Miles Davis was included on his 1958 album Jazz Track. Davis revived the song in 1963 performing it live many times through 1965. Other jazz recordings have been made by Red Garland, Maynard Ferguson, Earl Grant, Joe Pass, Bill Evans, Art Blakey and the Jazz Messengers, Lou Donaldson, Charlie Rouse, and Dexter Gordon.
George Clifford McCarl had been called a "busher", as in "bush league", meaning minor league or second rate. But Gleeson writes, on the contrary, "this dope is very much to the 'jazz'." Other uses occurred in "Everybody has come back to the old town full of the old 'jazz' and they promise to knock the fans off their feet with their playing."
The tune has since become a jazz standard, performed and recorded numerous times by a wide array of musical talents. The Benny Goodman Quartet with Teddy Wilson, Gene Krupa and Lionel Hampton made a famous version of the song in 1936, Artie Shaw recorded it in 1941, and Harry James recorded it in 1946 (released in 1950) on Columbia 38943.