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"Marjorie" is a song by the American singer-songwriter Taylor Swift from her ninth studio album, Evermore (2020). She wrote the track with its producer, Aaron Dessner.A tribute to Swift's late maternal grandmother, the opera singer Marjorie Finlay, the song features bits of advice that Finlay offered to Swift and touches on her guilt over not knowing Finlay to the fullest.
[2] [3] Her early-career songwriting outputs featured collaborations with Liz Rose, who co-wrote with Swift for the albums Taylor Swift (2006), Fearless (2008), and Red (2012). [4] She was the sole writer of the majority of Fearless and Red , [ 5 ] [ 6 ] and she wrote her third studio album, Speak Now , solely herself. [ 7 ]
"Who's Afraid of Little Old Me?" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by Swift and Jack Antonoff, the track is a Southern Gothic-inspired chamber pop song that incorporates dense echo and strings. The lyrics were inspired by ...
The end, at last, is here. Sunday was the final (rainy) night of Taylor Swift’s Eras Tour at Hard Rock Stadium in Miami, bringing to a close one of the most anticipated events of the fall.
Like she always does, Taylor Swift has been leaving secret messages for fans ahead of the release of her 11th album, The Tortured Poets Department — and even dropped a few new lyrics this time ...
Taylor Swift’s “Tortured Poets Department” album is filled with songs titled after proper names, including “Robin,” “Cassandra,” “Peter” and “thanK you aIMee.”There’s one ...
"Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989. She wrote the song with its producers, Max Martin and Shellback. Inspired by the media scrutiny on Swift's public image, the lyrics are about her indifference to detractors and their negative remarks.
"Forever & Always" was the last song that Swift wrote for Fearless. She pleaded with Big Machine Records' head Scott Borchetta to let her include the track on the album a day before the track list was finalized [5] because it was about "something really, really dramatic and crazy" that needed to be addressed via music, as she told Rolling Stone. [6]