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Geoffrey Neil Leech FBA (16 January 1936 – 19 August 2014) was a specialist in English language and linguistics. He was the author, co-author, or editor of more than 30 books and more than 120 published papers. [ 1 ]
According to the semantic analysis of Geoffrey Leech, the associative meaning of an expression has to do with individual mental understandings of the speaker. They, in turn, can be broken up into five sub-types: connotative, collocative, social, affective and reflected (Mwihaki 2004).
The term treebank was coined by linguist Geoffrey Leech in the 1980s, by analogy to other repositories such as a seedbank or bloodbank. [2] This is because both syntactic and semantic structure are commonly represented compositionally as a tree structure.
Longman Grammar of Spoken and Written English (LGSWE) is a descriptive grammar of English written by Douglas Biber, Stig Johansson, Geoffrey Leech, Susan Conrad, and Edward Finegan, first published by Longman in 1999.
In 1988, Rodney Huddleston published a very critical review. [3] He wrote: [T]here are some respects in which it is seriously flawed and disappointing. A number of quite basic categories and concepts do not seem to have been thought through with sufficient care; this results in a remarkable amount of unclarity and inconsistency in the analysis, and in the organization of the grammar.
Semantic properties or meaning properties are those aspects of a linguistic unit, such as a morpheme, word, or sentence, that contribute to the meaning of that unit.Basic semantic properties include being meaningful or meaningless – for example, whether a given word is part of a language's lexicon with a generally understood meaning; polysemy, having multiple, typically related, meanings ...
According to Geoffrey Leech, there is a politeness principle with conversational maxims similar to those formulated by Paul Grice. He lists six maxims: tact, generosity, approbation, modesty, agreement, and sympathy. The first and second form a pair, as do the third and the fourth.
Foregrounding is a concept in literary studies that concerns making a linguistic utterance (word, clause, phrase, phoneme, etc.) stand out from the surrounding linguistic context, from given literary traditions, or from more urban knowledge. [1]