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Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009). "Philippine Bamboo Instruments". Humanities Diliman: A Philippine Journal of Humanities. 5 (1&2). University of the Philippines Diliman. ISSN 2012-0788.
Among the Lumad groups, the kudyapi player and vocalist are separate performers, and vocalists use a free-flowing method of singing on top of the rhythm of the instrument, whereas among the Maguindanao and Maranao, there are set rhythms are phrases connected with the melody of the kutiyapi, with the player doubling as the vocalist (bayoka), if ...
Laúd (Spanish: "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines. The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double courses in unison (i.e. twelve strings in pairs); the Philippine instrument has 14 strings with some ...
The hegelung is a wooden two-stringed lute played by the Tboli, an animist ethnolinguistic group of southern Mindanao in the Philippines. The instrument is tall and slender, with nine frets. One string is used as a drone, and the other for melodic ornamentation. The performer playing the hegelung usually plays while dancing or with body ...
The Philippine harp bandurria is a 14-string bandurria used in many Philippine folkloric songs, with 16 frets and a shorter neck than the 12-string bandurria. [2] This instrument most likely evolved in the Philippines during the Spanish period, from 1521 to 1898.
Student demonstrating the proper way to use the gandingan. The gandingan is usually played while standing behind the instrument with the gandingan player holding two wooden mallets. The mallets (balu) [2] are wrapped tightly with strips of rubber [3] [6] at one end and are considered lighter and smaller than those balu used for the agung. [4]
A lute or Kutiyapi from Mindanao bearing Ukkil motifs A five-key bamboo version regularly used in performances by Kontra-Gapi, a modern ethnic music ensemble from the Philippines OPM include musical performance arts in the Philippines or by Filipinos composed in various genres and styles.
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