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A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in Hallelujah and the final chorus "Worthy is the Lamb". [111]
The Oxford English Dictionary defines hallelujah as “a song or shout of praise to God,” but biblical scholars will tell you it’s actually a smash-up of two Hebrew words: “hallel” meaning ...
Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. The orchestra scoring is simple: oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah.
The phrase "hallelujah" translates to "praise Jah/Yah", [2] [12] though it carries a deeper meaning as the word halel in Hebrew means a joyous praise in song, to boast in God. [13] [14] The second part, Yah, is a shortened form of YHWH, and is a shortened form of his name "God, Jah, or Jehovah". [3]
Scratch Messiah, Royal Albert Hall 2015. A Scratch Messiah, People's Messiah, Come Sing Messiah, Sing-it-yourself Messiah, Do-it-yourself Messiah (DIY Messiah), or Sing along Messiah (the first two British and Australian usage, the last three common in North America) is an informal performance of Handel's Messiah in which the audience serves as the unrehearsed chorus, often supported by a ...
As a way to promote his new film The Journey: A Music Special from Andrea Bocelli, he recruited singer Tori Kelly to help him present a soulful rendition of Leonard Cohen's classic tune "Hallelujah."
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. The orchestra scoring is simple: oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah.