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Shinji Higuchi (Japanese: 樋口 真嗣, Hepburn: Higuchi Shinji, born September 22, 1965) is a Japanese filmmaker. Known for his tokusatsu blockbusters, Higuchi is considered one of Japan's leading filmmakers of the 21st century.
Children play in a sandpit, amongst a series of rapid black and white flashes. 2 Shinji Aoyama: Japan A coastal power station. 3 Woo Ming Jin: Malaysia A poor, tired young woman walks the streets with a baby, as she sees a wealthier woman holding her own child. 4 Jussi Reittu Finland A man emotionlessly drags on a cigarette. 5 Phie Ambo Denmark
For the final synchronized battle, the Evas' coordination is technically replicated by a montage consisting of hand-drawn and digitally composited graphics by means of which both the two Evas' and their pilots' bodies appear to merge into one single entity; the images were obtained by cutting the images of Asuka and Shinji with their respective ...
Morgan Lewis of the webzine VG Culture HQ stated, "none of the characters are black and white" and "all of them are screwed up beyond belief"; he called Shinji the most layered character, stating Evangelion is not suitable for an inattentive audience. [425]
A black-and-white version of the film, titled Shin Godzilla: Orthochromatic (シン・ゴジラ：オルソ, Shin Gojira: Oruso), premiered at Ikebukuro Humax Cinemas in Tokyo on October 27, 2023 as part of the special theatrical screenings of four Godzilla films selected by Takashi Yamazaki in commemoration of the release of Godzilla Minus One.
Misato Katsuragi, head of the strategic department of Nerv and legal guardian of Shinji and Asuka Langley Soryu, heads to a wedding party with her friend Ritsuko Akagi and Kaji, her ex-boyfriend. Shinji visits his mother's grave with his father, then returns home to play the cello. Asuka, who left shortly before for a date, also returns home ...
The entire film is set inside a loft featuring four mullioned windows and minimal furnishings—a desk, a yellow chair, and a radiator against the far wall, with several photographs hanging above the chair. The film begins with a wide shot of the loft, and the image gradually zooms in on the wall as the story progresses.
Shinji Kido (城戸 真司, Kido Shinji) is a kind-hearted, friendly, simple, and naive idealist who works at the ORE Journal as a journalist trainee until he finds one of Shiro Kanzaki's Card Decks, encounters the Chinese dragon-like Mirror Monster Dragreder (ドラグレッダー, Doragureddā), and stumbles into the Mirror World while investigating Koichi Sakakibara's disappearance.