Search results
Results from the WOW.Com Content Network
Noblesse (Korean: 노블레스; RR: Nobeulleseu) is a South Korean manhwa released as a webtoon, written by Son Je-ho and illustrated by Lee Kwangsu. Noblesse was first posted on Naver Corporation 's webtoon platform, Naver Webtoon , in December 2007 and concluded in January 2019.
Unlike in European peerage systems, but following traditional Japanese custom, illegitimate sons could succeed to titles and estates. To prevent their lineages from dying out, heads of kazoku houses could (and frequently did) adopt sons from collateral branches of their own houses, whether in the male or female lines of descent, and from other ...
There were two leading classes, i.e. the gentry, in the time of feudal Japan: the daimyō and the samurai. The Confucian ideals in the Japanese culture emphasised the importance of productive members of society, so farmers and fishermen were considered of a higher status than merchants.
Ieyasu founded the Tokugawa Shogunate as a new feudal government of Japan with himself as the shōgun. However, Ieyasu was especially wary of social mobility given that Toyotomi Hideyoshi, one of his peers and a kampaku (Imperial Regent) whom he replaced, was born into a low caste and rose to become Japan's most powerful political figure of the ...
Japanese folklore encompasses the informally learned folk traditions of Japan and the Japanese people as expressed in its oral traditions, customs, and material culture. In Japanese, the term minkan denshō (民間伝承, "transmissions among the folk") is used to describe folklore. The academic study of folklore is known as minzokugaku ...
For premium support please call: 800-290-4726 more ways to reach us
Japanese popular culture includes Japanese cinema, cuisine, television programs, anime, manga, video games, music, and doujinshi, all of which retain older artistic and literary traditions; many of their themes and styles of presentation can be traced to traditional art forms.
The second section, titled "The Male Domain", starts with an essay by Tom Gill discussing cultural narratives of superheroes across Japanese history. [5] Bill Kelly proposes an argument for the popularity of karaoke in Japanese culture, and Isolde Standish's chapter draws comparison between the anime film Akira (1988) and bōsōzoku culture. [6]