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Lead Pipe is the second studio album by American rapper Grand Daddy I.U. from Queens, New York.It was released on June 21, 1994 through Cold Chillin'/Epic Street.The entire album (with the exception of "Blast a New Asshole") was produced by Grand Daddy I.U. and Kay Cee.
Grand Daddy I.U. appeared as a guest on several hip hop albums in the 1990s, including Big L's Lifestylez ov da Poor & Dangerous and Positive K's The Skills Dat Pay da Bills. [ 5 ] [ 6 ] Grand Daddy I.U. did ghostwriting and production work for Markie and Roxanne Shanté but became disenchanted with Markie over a dispute involving publishing ...
It should only contain pages that are Grand Daddy I.U. albums or lists of Grand Daddy I.U. albums, as well as subcategories containing those things (themselves set categories). Topics about Grand Daddy I.U. albums in general should be placed in relevant topic categories .
Tino Piontek (born 23th November 1980), better known by the stage name Purple Disco Machine, is a German nu-disco and house music record producer and DJ. [ 1 ] [ 2 ] [ 3 ] Early life and career
Æon Flux is set in a surreal German Expressionist-style future.The setting depicts a bizarre dystopia populated by mutant creatures, clones and robots, set within two city-states (Monica and Bregna) separated by a border wall in an otherwise barren earth-like world.
Truby and Brown coined the term “digital thought clone” to refer to the evolution of digital cloning into a more advanced personalized digital clone that consists of “a replica of all known data and behavior on a specific living person, recording in real-time their choices, preferences, behavioral trends, and decision making processes.” [3]
The song has been interpreted by numerous artists, including Swamp Dogg, Al Kooper, and Laura Cantrell, among others. [5] Johnny Cash covered the song in a live concert, changing the line "Jesus Christ died for nothing, I suppose" to "Daddy must have hurt a lot back then, I suppose", and later "Daddy must have suffered a lot back then, I suppose". [6]
Bisley started his career doing magazine and album covers, his first work being a T-shirt design for heavy metal magazine Kerrang! [1]Eventually, even though he had no experience in comics strip drawing at the time, he was hired by the magazine 2000 AD after they saw his interpretations of their magazine characters.