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In some cases, a live drummer was hired to play beats between songs to maintain the dance floor. In 1955, Bob Casey, a well-known "sock hop" DJ, brought the two-turntable system to the U.S. [6] In the Black community, Stations such as WLAC in Nashville began playing rhythm and blues records, and in 1948, Memphis radio station WDIA began its ...
"Pretty" Tony Butler learned music by studying electronics, fixing stereos and televisions and DJing. [3] [4] Butler recalled in 1985 that his parents "kept me enrolled in electronics classes and didn't let me out of the house when the guys wanted to go out.
DJs typically replace the rubber mat on turntables that keep the record moving in sync with the turntable with a slipmat that facilitates manipulating the playback of the record by hand. With the slipmat, the DJ can stop or slow down the record while the turntable is still spinning. Direct-drive turntables are the type preferred by DJs. Belt ...
Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is ...
Other vocal samples incorporated into "Where It's At" come from "Needle to the Groove" by old-school hip hop group Mantronix ("we've got two turntables and a microphone..."), as well as The Frogs ("that was a good drum break"). The song also references Gary Wilson, one of Beck's influences.
Using a pair of turntables was a way to keep the music playing without a break, as can be seen in the 1948 movie The Red Shoes, where two stage hands do a poor job of changing records during a ballet performance in the church hall that housed the Mercury Theatre.
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In 1969, Matsushita released it as the SP-10, [5] the first direct-drive turntable on the market, [6] and the first in their influential Technics series of turntables. [ 5 ] In the 1970s, hip hop musicians and club DJs began to use this specialized turntable equipment to move the record back and forth, creating percussive sounds and effects ...