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Pachelbel's Canon (also known as Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue , known as Canon and Gigue for 3 violins and basso continuo .
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
A famous piano piece, "River Flows in You" in the key of F# minor by South Korean Pianist Lee Ru-ma or Yiruma, features a repetitive canon using the same key progression (F#, D, A, E x2). Since its recognition online, there have been multiple covers of the song, including a mashup of it with Johann Pachelbel's Canon and Gigue in D Major. [65]
In the autumn of 1885, the twelve-year-old Rachmaninoff entered the home of Nikolai Zverev to receive private piano instruction and at the end of May 1886, Zverev took his students to Crimea, where Rachmaninoff continued his studies, hoping to gain entrance to Anton Arensky's harmony class at the Moscow Conservatory. [1]
4 Ländler for piano 4-hands (D. 814) (arr. by JB) 1–16. piano 4-hands 17–20. piano 1869 D. 366 No. 17 for piano solo is the same Ländler as D. 814 No. 1 for piano duet; #17 in Brahms' set is a piano solo arr. of D. 814 No. 1, though markedly different from Schubert's piano solo version D. 366 No. 17; published 1869 A. deest
Gifts of the Terek (Дары Терека), Cantata for viola solo, chorus and orchestra (1883) 6 Very Easy Pieces (1918–1919) Toccata and Fugue (1920) Canon (1923) Allegretto scherzando (1923) 2 Preludes; Piano transcription of Pachelbel's Canon in D [9] Piano transcription of Glinka's "Kamarinskaya"
An improvised adagio leads into a grand andante larghetto, a series of variations for the organ over an ostinato bass (using Pachelbel's Canon in D's chord progression), marked piano until the forte of the last variation. The concerto concludes with a conventional minuet and gavotte.
[3] Although composed as part of a set, each piece stands on its own as a concert solo with individual themes and moods. [2] The pieces span a variety of themes ranging from the funeral march of number three to the canon of number six, the Moments musicaux are both Rachmaninoff's return to and revolution of solo piano composition. [3]
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