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Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Ribeiro, Aileen: The Art of Dress: Fashion in England and France 1750–1820, Yale University Press, 1995, ISBN 0-300-06287-7
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0810963175; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0300095805; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0688028934
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press,2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Any clothing used by performers (singers, actors, or dancers) on stage may be referred to as stage clothes. More specifically, the term is sometimes used only for those clothes which are specially made for the stage performance by a costume designer or picked out by a costume coordinator .
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
English shot (changeable) silk taffeta morning dress is trimmed with silk satin and machine-made lace, c. 1865. Los Angeles County Museum of Art, M.2007.211.942a-b. Emilie Menzel wears her hair in a net snood. Her morning dress has a pointed waist and slightly puffed, long sleeves, 1866.
Close-bodied gown or robe à l'anglaise of purple and white striped silk, French, 1785-90, LACMA, M.2007.211.931. A close-bodied gown, English nightgown, or robe à l'anglaise was a women's fashion of the 18th century.
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