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Shanti Mantras are invoked in the beginning of some topics of the Upanishads. They are believed to calm the mind and the environment of the reciter. Shanti Mantras always end with the sacred syllable om (auṃ) and three utterances of the word "shanti", which means "peace". The reason for the three utterances is regarded to be for the removal ...
"Dvadasharno mahamantrah pradhano Vaishnavagame"— The twelve lettered mantra is the chief among vaishnava mantras. Similarly, this is referred to as the ultimate mantra in the Shrimad Bhagavatam . This twelve syllable mantra [ 11 ] is known as a mukti (liberation) mantra, and a spiritual formula for attaining freedom.
A mantra is a series of verbal sounds having inherent sound-power that can produce a particular physical or psychological effect, not just something that has an assigned intellectual meaning. The word mantra derives from the Sanskrit expression mananaath thraayathe which loosely means "a transforming thought"; literally, "that which, when ...
For Sayana, whether the mantras had meaning depended on the context of their practical usage. [18] This conception of the Veda, as a repertoire to be mastered and performed, takes precedence over the internal meaning or "autonomous message of the hymns."
Whole Panchakshara Stotra is dedicated to this mantra. [9] [10] Tirumantiram, a scripture written in Tamil language, speaks of the meaning of the mantra. [11] It appears in the Shiva Purana in the chapter 1.2.10 (Shabda-Brahma Tanu) and in its Vidyeshvara samhita and in chapter 13 of the Vayaviya samhita of the Shiva Purana as Om Namaḥ ...
It is one of the texts which mentions the "Om Namo Narayana" mantra of Vaishnavism. [5] The Upanishad discusses the Om mantra, and integrates into its sound, the central characters of the epic Ramayana such as Rama, Sita, Lakshmana, Hanuman, Bharata, Shatrughna and Jambavan. [6] It also asserts that Hanuman is a manifestation of Shiva. [6]
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The relative chronology of the text is placed by Mircea Eliade with the ancient Yoga Upanishads. He suggests that it was composed in the same period when the following texts were composed – Maitri Upanishad, the didactic parts of the Mahabharata, the chief Sannyasa Upanishads and along with other early Yoga Upanishads such as Brahmabindu, Brahmavidya, Tejobindu, Yogatattva, Kshurika ...