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On November 26, 1898, conductor Frank Damrosch and the New York Symphony Orchestra, presented one of the first orchestra concerts in New York City directed at a younger audience, entitled "Symphony Concert for Young People". [1]
Strauss (1898) by Fritz Erler. Don Quixote, Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra.Subtitled Phantastische Variationen über ein Thema ritterlichen Charakters (Fantastic Variations on a Theme of Knightly Character), the work is based on the novel Don Quixote de la Mancha by Miguel de Cervantes.
He will go on to pioneer the African American "master teacher" phenomenon, in which a public school teacher contributes an "enormous amount of time to developing the skills of talented young people". Smith becomes a local legend, and his students include many of the "leading jazz and concert artists" of the mid-20th century. [323]
An early television concert from Philharmonic Hall featured Leonard Bernstein and the New York Philharmonic in one of their Young People's Concerts. It was the first of many concerts televised from Philharmonic Hall, which had been previously televised from Carnegie Hall beginning in 1958.
In the ninth season of Symphony Concerts for Young People, 1904, the program was devoted to works by Bizet, Gounod, Verdi, and Richard Wagner. Blauvelt and Edward P. Johnson were soloists with the orchestra conducted by Frank Damrosch. [8] She sang before an audience numbering 3,000 at the Asbury Park, New Jersey Casino in July 1904. [9]
I’ve been to plenty of concerts in my life, and I’ve done my fair share of screaming at them, too. But somehow none of it had prepared me for witnessing my 13-year-old — not to mention the ...
In addition to its main series of programs, the Post-Standard Classics Series, M&T Bank Pops Series, Central New York Community Foundation Family Series, and the Stained Glass Series, the Syracuse Symphony Orchestra took part in local educational youth programs, and free summer parks concerts. It also played for Syracuse Opera performances. [1]
Thirty-two million people attend music festivals every year in the U.S. Over half (51 percent) of those attendees are women. But on stage, the demographics are very different. Coachella’s 2016 lineup included 168 male artists and just 60 female artists — a figure that includes both all-female and mixed-gender acts.
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