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Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, ...
Postmodern literature often calls attention to issues regarding its own complicated connection to reality. The postmodern novel plays with language, twisted plots, multiple narrators, and unresolved endings, unsettling the conventional idea of the novel as faithfully reflecting the world. [109]
List of postmodern critics; List of postmodern writers; Postmodern literature; Postmodern art; Postmodern film and television; Graphic novel; Criticism of postmodernism; Pop culture fiction; Literary fiction
Postmodernism has received significant criticism for its lack of stable definition and meaning. The term marks a departure from modernism, and may refer to an epoch of human history (see Postmodernity), a set of movements, styles, and methods in art and architecture, or a broad range of scholarship, drawing influence from scholarly fields such as critical theory, post-structuralist philosophy ...
A postmodern literary movement srarted ca. 1970, where writers use their speaking voice to present fiction, poetry, monologues, and storytelling arising from Beat poetry, the Harlem Renaissance, and the civil rights movement in the urban centers of the United States. [133]
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Periodization
Postmodernity is a condition or a state of being associated with changes to institutions and creations [8] and with social and political results and innovations, globally but especially in the West since the 1950s, whereas postmodernism is an aesthetic, literary, political or social philosophy, the "cultural and intellectual phenomenon", especially since the 1920s' new movements in the arts.
John Simmons Barth (/ b ɑːr θ /; [1] May 27, 1930 – April 2, 2024) was an American writer best known for his postmodern and metafictional fiction. His most highly regarded and influential works were published in the 1960s, and include The Sot-Weed Factor, a whimsical retelling of Maryland's colonial history; Giles Goat-Boy, a satirical fantasy in which a university is a microcosm of the ...