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This is an accepted version of this page This is the latest accepted revision, reviewed on 1 January 2025. Cloth bearing the alleged image of Jesus Shroud of Turin The Shroud of Turin: modern photo of the face, positive (left), and digitally processed image (right) Material Linen Size 4.4 m × 1.1 m (14 ft 5 in × 3 ft 7 in) Present location Chapel of the Holy Shroud, Turin, Italy Period 13th ...
The Shroud of Turin (or Turin Shroud) is an ancient linen cloth bearing the image of a man who appears to have been physically traumatized in a manner consistent with crucifixion. The image can not be seen on the shroud with the naked eye and for several centuries the shroud had been displayed without it.
English: Full-length photograph of the Shroud of Turin which is said to have been the cloth placed on Jesus at the time of his burial. Română: O repoducere fotografică în întregime a Sfântului Giulgiului despre care se spune că a fost folosit pentru a acoperi corpul lui Iisus în timpul înmormântării sale.
The History of the Shroud of Turin begins in the year 1390 AD, when Bishop Pierre d'Arcis wrote a memorandum where he charged that the Shroud was a forgery. [1] Historical records seem to indicate that a shroud bearing an image of a crucified man existed in the possession of Geoffroy de Charny in the small town of Lirey, France around the years 1353 to 1357.
The Shroud of Turin is a length of linen cloth bearing the negative image of a man who is alleged to be Jesus of Nazareth. The cloth itself is believed by some to be the burial shroud he was wrapped in when he was buried after his crucifixion. The origins of the shroud and its images are the subject of multiple fringe theories. Diverse ...
Secondo Pia. Secondo Pia (9 September 1855 – 7 September 1941) was an Italian lawyer and amateur photographer. He is best known for taking the first photographs of the Shroud of Turin on 28 May 1898 and, when he was developing them, noticing that the photographic negatives showed a positive image of the man in the shroud in addition to a clearer rendition of the image.
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However, the Shroud image produced an accurate three-dimensional representation of the Man of the Shroud, with facial features, arms, legs and chest all contoured correctly. This was shown to Peter Schumacher, the inventor of the device, and he later recalled his astonishment: "I had never heard of the Shroud of Turin before that moment.