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Similarities have been noted with a folktale from the Ryukyu Islands, in which the moon god decides to give man the water of life (Miyako: sïlimizï), and serpents the water of death (sïnimizï). However, the person entrusted with carrying the pails down to Earth gets tired and takes a break, and a serpent bathes in the water of life ...
The Valley of the Kings, [a] also known as the Valley of the Gates of the Kings, [b] [2] is an area in Egypt where, for a period of nearly 500 years from the Eighteenth Dynasty to the Twentieth Dynasty, rock-cut tombs were excavated for pharaohs and powerful nobles under the New Kingdom of ancient Egypt. [3] [4]
Egyptians believed that even after death, one's spirit would live on because the life force was a separate entity that could detach itself from the body. This life force was named the Ka , and was considered to be one part of what the Egyptian believed to be the immortal soul.
The Serapeum of Saqqara was the ancient Egyptian burial place for sacred bulls of the Apis cult at Memphis.It was believed that the bulls were incarnations of the god Ptah, which would become immortal after death as Osiris-Apis, a name which evolved to Serapis (Σέραπις) in the Hellenistic period, and Userhapi (ⲟⲩⲥⲉⲣϩⲁⲡⲓ) in Coptic.
Sally Newall of The Independent wrote of Immortal Egypt that, "You couldn't fault Fletcher's passion or knowledge, which, like in her previous outing in Life and Death in the Valley of the Kings, was always accessible"; this perceived accessibility, Newall said, "[makes] it easy to share her enthusiasm – even without Egyptology's most eye ...
Deir el-Medina (Egyptian Arabic: دير المدينة), or Dayr al-Madīnah, is an ancient Egyptian workmen's village which was home to the artisans who worked on the tombs in the Valley of the Kings during the 18th to 20th Dynasties of the New Kingdom of Egypt (ca. 1550–1080 BC). [1]
The name "Lake Moeris" is derived from the Greek translation (Μοῖρῐς λίμνη Limne Moeris) of the Egyptian place-name mr-wr (lit. "Great Canal"). [7] This name is likely a reference to the Bahr Yussef, and as the pharaoh responsible for its construction Amenemhat III was referred to by the Greeks as "King Moeris".
An Ancient Egyptian representation of Nehebkau, houses in the Walters Art Museum and produced in the Third Intermediate Period. This representation has a human body and serpent head and tail. The knees are flexed and the hands are at the mouth. Nehebkau continuously appears alongside the sun god Re, as an assistant, companion and successor. [4]