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Live at Crescendo; Live at Last (Maghostut Trio album) Live at the Black Musicians' Conference, 1981; Live at the Pan-African Festival; Live at the Village Vanguard Again! Live at Tonic (Rashied Ali, Louis Belogenis, and Wilber Morris album) Live in Egypt 1; Live in Europe (Rashied Ali Quintet album) Live in New York (Positive Knowledge album)
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
Jazz, Blues Terrestrial Mutual Musicians Foundation, Inc. Kansas City Missouri: Website: KRTU-FM: 91.7 MHz Jazz, Independent Terrestrial Trinity University: San Antonio Texas: Website: KRWV-LP: 99.3 MHz Smooth Jazz, Mainstream Terrestrial Gold Canyon Public Radio Inc. Gold Canyon Arizona: Website: KSBR: 88.5 MHz Mainstream Terrestrial ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Peter Brötzmann (6 March 1941 – 22 June 2023) was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. [1] Throughout his career, he released over fifty albums as a bandleader.
Eastwood After Hours: Live at Carnegie Hall is a two-disc live album by American actor Clint Eastwood and various jazz musicians. Released on April 29, 1997, by Warner Bros. Records, it compiles material from Eastwood's film scores—including Play Misty for Me (1971), Honkytonk Man (1982), Bird (1988), Thelonious Monk: Straight, No Chaser (1988), and White Hunter Black Heart (1990 ...
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Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases. Ornette Coleman was an early and noted advocate of this style. 1950s -> Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt ...
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