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The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh.In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and Studio [1] and A Town House for an Artist.
It is the only built Mackintosh church design and is now the Charles Rennie Mackintosh Society headquarters. As with his contemporary Frank Lloyd Wright , Mackintosh's architectural designs often included extensive specifications for the detailing, decoration, and furnishing of his buildings.
The style is still used on many Mackintosh-style windows and stained glass souvenirs available today. The roof is made up by a striking timber-lined barrel-vaulted roof, which spans the entire forty feet of the nave. The pulpit is carved in Mackintosh designs - it is repeated five times around the curved front.
Here, Paris design duo Le Berre Vevaud pared down the formal dining room of this 19th-century loft with a playful monkey sconce from Seletti and a foliage-rich wallpaper from Besson.
Talwin Morris suggested Charles Rennie Mackintosh as the architect for Hill House, and Blackie, despite Mackintosh's youthfulness, was convinced after seeing other houses designed by him. Blackie had specific requirements for the construction, seeking grey rough-cast walls and a slate roof instead of traditional materials like bricks and wood ...
The influence of Mackintosh's Glasgow style can be seen in the work of architects like James Salmon (1873–1924), whose designs included the heavily glass-fronted, Art Nouveau "Hatrack" (1899–1902) on Vincent Street and the Lion Chambers, Hope Street (1904–05), an early example of reinforced concrete construction. [2]
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