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Palimpsests: Literature in the Second Degree is a 1982 book by French literary theorist Gérard Genette.Over the years, the book's methodological proposals have been confirmed as effective operational definitions, and have been widely adopted in literary criticism terminology.
Gérard Genette (French pronunciation: [ʒeʁaʁ ʒənɛt]; 7 June 1930 – 11 May 2018) was a French literary theorist, associated in particular with the structuralist movement and with figures such as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of bricolage.
Transtextuality is defined as the "textual transcendence of the text".According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". [1]
In literary interpretation, paratext is material that surrounds a published main text (e.g., the story, non-fiction description, poems, etc.) supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public.
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Focalisation is a term coined by the French narrative theorist Gérard Genette. [1] It refers to the perspective through which a narrative is presented. Genette focuses on the interplay between three forms of focalization and the distinction between heterodiegetic and homodiegetic narrators.
Cratylism as a philosophical theory that holds that there is a natural relationship between words and what words designate. [1] It reflects the teachings of the Athenian Cratylus (Ancient Greek: Κρατύλος, also transliterated as Kratylos), fl. mid to late 5th century BCE, who is Socrates' interlocutor in Plato's eponymous dialogue Cratylus.
In narratology (and specifically in the theories of Gérard Genette), [10] a paradoxical transgression of the boundaries between narrative levels or logically distinct worlds is also called metalepsis. Perhaps the most common example of metalepsis in narrative occurs when a narrator intrudes upon another world being narrated.