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Harlot's Prayer (Indonesian: Tuhan, Izinkan Aku Berdosa; lit. God, Allow Me to Sin) is a 2023 Indonesian drama film directed by Hanung Bramantyo from a screenplay by Ifan Ismail, based on the 2003 novel Tuhan Izinkan Aku Menjadi Pelacur! by Muhiddin M. Dahlan.
"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal. [1]
In Search of the Lost Chord was released on 26 July 1968. It peaked at number 5 in the UK Albums Chart [ 38 ] and reached number 23 on the Billboard 200 . [ 39 ] Of the two singles from the album, "Ride My See-Saw" reached no. 42 in the UK Singles Chart and no. 61 on the US Billboard chart, while "Voices in the Sky" reached no. 27 in the UK but ...
The term sixth chord refers to two different kinds of chord, the first in classical music and the second in modern popular music. [ 1 ] [ 2 ] The original meaning of the term is a chord in first inversion , in other words with its third in the bass and its root a sixth above it.
On October 3, Songs from Agatha All Along (Episode 4) was released featuring Lorna Wu's version of the song performed by Seomoon Tak, as well as a 1970s rock cover performed by the cast. [106] [107] [104] Another version performed by the indie pop band Japanese Breakfast, featured in the finale, was released on October 17. [108]
Dominant ninth chord in four-part writing [1] Play ⓘ. The fifth is omitted in preference for the root, third, seventh, and ninth. Fifth (G), in red, of a C major chord (Play ⓘ). Second inversion C major triad. The fifth is the bass. In music, the fifth factor of a chord is the note or pitch that is the fifth scale degree, counting the root ...
"O come, O come, Emmanuel" (Latin: "Veni, veni, Emmanuel") is a Christian hymn for Advent, which is also often published in books of Christmas carols.
The progression of descending chords in the original refrain (A ♭ –E ♭ /G–Fm–C–D ♭ –A ♭ /E ♭ –E ♭ 7 –A ♭; in Roman numeral analysis, I–V 6 –vi–V/vi–IV–I 6 4 –V 7 –I) bears some resemblance to that of Pachelbel's Canon. The verses, on the other hand, have mostly the same melody (with some minor ...