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The Opera Game was a chess game played in 1858 at an opera house in Paris. The American master Paul Morphy played against two amateurs: the German noble Karl II, Duke of Brunswick , and the French aristocrat Comte Isouard de Vauvenargues.
Script: the text of the dialogue and stage directions of a play; to write a play. Sense memory: in Method acting, when an actor attempts to recall memories of the physical sensations surrounding prior emotions in order to utilize emotional memory. Signs of character: the various cues that convey a character's personality, emotion or motivation.
Historic Outdoor Forest Theater in Carmel, California, at sunset. The following outline is provided as an overview of and topical guide to theatre: . Theatre – the generic term for the performing arts and a usually collaborative form of fine art involving live performers to present the experience of a real or imagined event (such as a story) through acting, singing, and/or dancing before a ...
' booklet ') is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
The term "play" can encompass either a general concept or specifically denote a non-musical play. In contrast to a "musical", which incorporates music, dance, and songs sung by characters, the term "straight play" can be used. For a brief play, the term "playlet" is occasionally employed. The term "script" pertains to the written text of a play.
Since the play's original run, Shaffer extensively revised his play, including changes to plot details; the following is common to all revisions. The composer Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart and promises to explain himself.
The play was later the subject of numerous revisions. It is part of what Camus called the "Cycle of the Absurd", together with the novel The Stranger (1942) and the essay The Myth of Sisyphus (1942). [2] A number of critics have reported the piece to be existentialist, though Camus always denied belonging to this philosophy. [3]
Opera originated in Italy at the end of the 16th century (with Jacopo Peri's mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L'Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England all helped to establish their national traditions in the 17th century.