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In subsequent passages, pesel was applied to images of metal and wood, as well as those of stone. Other terms, such as nēsek and massēkâ, massēbâ, ōseb, and maskit also indicate a material or manner of manufacture. [14] Some terms represent the consistently negative moral view with which idols are portrayed by the Bible. [15]
For example, Dorothy A. Lee lists several discrepancies between Hebrew betrothal scenes and John 4: "the Samaritan woman is not a young Jewish virgin and no betrothal takes place; the well is not concerned with sexual fertility but is an image of salvation (see Isa. 12:3); Jesus is presented not as a bridegroom but as giver of living water."
The Catholic Church states that idolatry is consistently prohibited in the Hebrew Bible, including as one of the Ten Commandments (Exodus 20:3–4) and in the New Testament (for example 1 John 5:21, most significantly in the Apostolic Decree recorded in Acts 15:19–21). There is a great deal of controversy over the question of what constitutes ...
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Changing water into wine at Cana in John 2:1–11 – "the first of the signs" Healing the royal official's son in Capernaum in John 4:46–54; Healing the paralytic at Bethesda in John 5:1–15; Feeding the 5000 in John 6:5–14; Jesus walking on water in John 6:16–24; Healing the man blind from birth in John 9:1–7; The raising of Lazarus ...
The end part of the Second Epistle of Peter (3:16–18) and the beginning of the First Epistle of John (1:1–2:9) on the same page of Codex Alexandrinus (AD 400–440) 1 John 4:11-12, 14–17 in Papyrus 9 (P. Oxy. 402; 3rd century) The earliest written versions of the epistle have been lost; some of the earliest surviving manuscripts include ...
Andrea del Verrocchio was a sculptor, goldsmith, painter and talented worker who ran a large and successful workshop in Florence in the second half of the 15th century. [4] Verrocchio trained his apprentices by having them study surface anatomy, drawing, mechanics, sculpting, drapery studies, and the use of light and shade. [5]