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Archive Fever: A Freudian Impression (French: Mal d'Archive: Une Impression Freudienne) is a book by the French philosopher Jacques Derrida.. It was first published in 1995 by Éditions Galilée, based on a lecture Derrida gave at a conference, Memory: The Question of the Archives, organised by the Freud Museum in 1994.
The following is a bibliography of works by Jacques Derrida. The precise chronology of Derrida's work is difficult to establish, as many of his books are not monographs but collections of essays that had been printed previously. Virtually all of his works were delivered in slightly different form as lectures and revised for publication.
Pages in category "Works by Jacques Derrida" The following 18 pages are in this category, out of 18 total. ... Archive Fever; C. Cogito and the History of Madness; E.
Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; [6] 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.
Derrida, Jacques (1986). Memories for Paul de Man. New York: Columbia University Press. Rousso, Henry. (1991) The Vichy Syndrome: History and Memory in France since 1944. Translated by A. Goldhammer. Cambridge/London: Harvard University Press. Derrida, Jacques. (1996) Archive Fever. Translated by E. Prenowitz. Chicago: University of Chicago Press
Poststructuralist philosopher Jacques Derrida references Freud's use of Jensen's Gradiva in his own book-length essay Archive Fever: A Freudian Impression (1995). Hélène Cixous emphasises the way 'Zoe is the one who brings to life Norbert's repressed love in a kind of feminine transfer'. [7]
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In Derrida's words, "structural discourse on myths—mythological discourse—must itself be mythomorphic". [22] Lévi-Strauss explicitly describes a limit to totalization (and at the same time the endlessness of 'supplementarity'). Thus Lévi-Strauss, for Derrida, recognizes the structurality of mythical structure and gestures towards its ...