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A sign at a park featuring Irasutoya illustrations. In addition to typical clip art topics, unusual occupations such as nosmiologists, airport bird patrollers, and foresters are depicted, as are special machines like miso soup dispensers, centrifuges, transmission electron microscopes, obscure musical instruments (didgeridoo, zampoña, cor anglais), dinosaurs and other ancient creatures such ...
Format: primary type of painting, technique and dimensions; The column entries sort by the main type and in some cases further by subcategories: album; byōbu (2 section -> pair or single, 6 section -> pair or single, 8 section -> pair or single); hand scroll (emakimono other); hanging scroll (mandala, portrait, deity, landscape, other); mural ...
Many other Raigō paintings would primarily focus on the procession and the deceased on a vertical rectangular scroll. However the Chion-in painting utilizes a square frame (1.45 meters x 1.55 meters) to add dimension, depth and detail to home in on the surrounding landscapes (including moutains, foliage, and cherry blossoms).
Yumeji Takehisa (Japanese: 竹久 夢二, Hepburn: Takehisa Yumeji, born Mojirō Takehisa (竹久 茂次郎, Takehisa Mojirō), 16 September 1884 – 1 September 1934) was a Japanese poet and painter.
A third important trend in the Edo period was the rise of the Bunjinga (literati painting) genre, also known as the Nanga school (Southern Painting school). This genre started as an imitation of the works of Chinese scholar-amateur painters of the Yuan dynasty , whose works and techniques came to Japan in the mid-18th century.
Calligraphy and painting: The Kegon Engi Emaki, the illustrated history of the founding of the Kegon sect, is an excellent example of the popularizing trend in Kamakura painting. The Kegon sect, one of the most important in the Nara period, fell on hard times during the ascendancy of the Pure Land sects.
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Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting. The term literally ...