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Christopher Tyng (born August 5, 1968) [1] is an American composer for film and television. He composed the music for several television series, including Futurama, The O.C., The Job, Knight Rider, Suits, High Incident, and Rescue Me.
The Futurama theme was created by Christopher Tyng. The theme is played on the tubular bells but is occasionally remixed for use in specific episodes, including a version by the Beastie Boys used for the episode "Hell Is Other Robots", in which they guest starred as their own heads for both a concert and as part of the Robot Devil's song. [54]
Composer Christopher Tyng was heavily inspired by Henry's Psyché Rock when writing the theme to the popular animated cartoon show Futurama. The theme is so reminiscent of Psyché Rock that it is considered a variation of the original [7] piece that Henry and Michel Colombier released in 1967.
Fox and The O.C. made indie rock a "main focus of the series" and also its marketing plan. [8] Christopher Tyng , who composed the theme for Futurama , composed the show's orchestral music which included the ending theme.
Danger Man – Series 1 "The Danger Man Theme" Edwin Astley, series 2–4 "High Wire" Edwin Astley, series 2–4 in the U.S. as Secret Agent, "Secret Agent Man" theme composed by P. F. Sloan and Steve Barri, and recorded by Johnny Rivers.
Matthew Abram Groening (/ ˈ ɡ r eɪ n ɪ ŋ / GRAY-ning; born February 15, 1954) is an American cartoonist, writer, producer, and animator.He is best known as the creator of the television series The Simpsons (1989–present), Futurama (1999–2003, 2008–2013, 2023–present), [1] and Disenchantment (2018–2023), and the comic strip Life in Hell (1977–2012).
John G. Nettles of PopMatters wrote: " 'Hell is Other Robots' is a terrific introduction to Bender and Futurama's irreverent humor, sly social satire, and damn catchy musical numbers." [ 13 ] TV Squad wrote that the series' funnier material appears in " Robot Hell – after Bender is 'born again' in the Temple of Robotology."
"Rebirth" directly follows the ending of the final Futurama film Into the Wild Green Yonder, in which the entire crew enter a wormhole. The episode is the first to feature the opening sequence in high definition format. It was also the first to feature the remix version of the theme playing in the end credits.