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Lacquerware, Nguyễn dynasty, Vietnam A folding screen using Vietnamese lacquer A lacquered folding screen. Sơn mài is a painting technique in Vietnam. It developed from the painters of the Hanoi EBAI in the 1930s and today is counted a national painting style with many famous painters. In 1924 the Ecole des Beaux Arts was established in ...
The conservation and restoration of lacquerware prevents and mitigates deterioration or damage to objects made with lacquer. The two main types of lacquer are Asian, made with sap from the Urushi tree, and European, made with a variety of shellac and natural resins. Lacquer can be damaged by age, light, water, temperature, or damaged substrate.
The gifts are contained in amount of lacquer boxes, called mâm quả, that are covered in red paper or cloth and carried by the younger unmarried men of the future groom's family; the amount of each gift is even (with the exception of the roasted pig) while the amount of boxes are odd. (In Vietnamese culture, odd numbers and red symbolize luck ...
In Vietnam's sơn mài lacquer painting, a black board is prepared first. Then colour chalks are used on the prepared board for base sketch. Needles can also be used for carving the base sketch as an alternative. In lacquer painting, eggshells are used as white colour due to the lack of pure white colour in lacquer.
The procedure includes more than thirty elaborate steps. Firstly, materials like wood, thick layers of glued paper, metal, porcelain are used to create a base. This method is followed by filling the gaps within the base with “saengot” or a fresh paint made from clay and the lacquer tree resin. [5]
18th-century German gold and mother of pearl snuff box Chinese mother of pearl lacquer box with peony decor Ming Dynasty Elizabeth E Copeland (1866–1957) covered box, circa 1915 metalwork, silver and cloisonné, Los Angeles County Museum of Art
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