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Prologues of Renaissance drama often served a specific function of transition and clarification for the audience. A direct address made by one actor, the prologue acted as an appeal to the audience's attention and sympathy, providing historical context, a guide to themes of the play, and occasionally, a disclaimer.
Fanchon and Marco began producing prologues, initially at the Paramount Theatre in Los Angeles, in 1922, and by 1931 produced about fifty hour-long productions each year with a staff of six thousand; they ceased their production in 1936. [5]
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
The poetry of Menander and Plautus is best juxtaposed in their prologues. Robert B. Lloyd makes the point that "albeit the two prologues introduce plays whose plots are of essentially different types, they are almost identical in form..." [28] He goes on to address the specific style of Plautus that differs so greatly from Menander. He says ...
The prologues provide background on the traditional authors (Matthew, Mark, Luke and John) and their theological purposes. [1] [2] Since Luke and John were also credited with the Acts of the Apostles and the Book of Revelation, respectively, information contained in their prologues was eventually spun out into separate prologues to Acts and ...
In the "Prologue" to The Heptameron, Parlamente, having obtained her husband Hircan's permission to do so, makes bold to ask Lady Oisille to devise an appropriate means by which the company of stranded guests, who are waiting for the building of a bridge to be completed and are beset by a series of natural calamities and criminal actions which keep them virtual prisoners in an abbey, may amuse ...
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theatre, the actual plot begins with a prologue in Heaven, where the Lord bets Mephistopheles, an agent of the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust.
Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work.