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This is a list of cartoonists, visual artists who specialize in drawing cartoons.This list includes only notable cartoonists and is not meant to be exhaustive. Note that the word 'cartoon' only took on its modern sense after its use in Punch magazine in the 1840s - artists working earlier than that are more correctly termed 'caricaturists',
Turbo is a 2013 American animated sports comedy film produced by DreamWorks Animation and distributed by 20th Century Fox.The film was directed by David Soren from a screenplay he co-wrote with Darren Lemke and Robert Siegel. [8]
The following is a list of comic strips.Dates after names indicate the time frames when the strips appeared. There is usually a fair degree of accuracy about a start date, but because of rights being transferred or the very gradual loss of appeal of a particular strip, the termination date is sometimes uncertain.
The following is an incomplete list of celebrities whose caricatures appear on the celebrity wall at Sardi's restaurant in New York City.All have eaten at Sardi's. The date or year each caricature was added to Sardi's is often mentioned in brackets after the celebrities' name. Also mentioned is either the production the actor was in at the time
Billy and Bunny was a long-running comic strip featured in a Scottish Newspaper. They were drawn by James Crighton better known for drawing Korky the Cat for The Dandy comic. Billy was a young boy and Bunny was an anthropomorphised rabbit. Their stories were set in a fantasy fairytale world where they often got up to mischief.
Art Adams; Neal Adams - (Deadman, worked on Batman) Scott Adams - Charles Addams - (The Addams Family) Dan Adkins; Gene Ahern - (Our Boarding House, Room and Board, The Squirrel Cage, The Nut Bros.) Vince Alascia - (worked for Timely Comics and Charlton Comics) F. O. Alexander (Hairbreadth Harry) Mike Allred; Bob Almond; Bill Amend - Brent Anderson
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The art chores on the dailies were assigned to others in the NEA bullpen so that Crane could pour his imagination into the weekly installments of Easy's adventures. Crane loved the spacious potential of the Sunday page—as would any graphic artist; and he spent most of his energy here rather than on the less visually challenging dailies.