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The Wales Window for Alabama is a stained-glass window by the artist John Petts created in response to the 16th Street Baptist Church bombing which took place in 1963. Petts, who was based in Carmarthenshire, initiated a campaign in Wales to raise money to fund a stained-glass window to replace one of the windows destroyed in the bombing.
The continuous stained-glass shebeke-windows of the central halls and side rooms overlook the facade of the palace. It is believed that the replacement of the outer walls of the halls of the both floors and the upper rooms by lifting sashes-stained-glass windows is a feature of this ceremonial pavilion architecture. [4]
Henry Willet created the first sculptured gold window between 1948–49. When first devised, the sculptured gold overlay was based on leaded stained glass windows. Later, faceted glass set in epoxy resin was used. These glasses, about an inch in thickness, but possibly up to two inches for special effects, contribute great brilliance of color ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
A stained glass window is a window composed of pieces of colored glass, transparent, translucent or opaque, frequently portraying persons or scenes. Typically the glass in these windows is separated by lead glazing bars. Stained glass windows were popular in Victorian houses and some Wrightian houses, and are especially common in churches. [24]
However, in the case of stained glass, these efforts are complicated by the nature of the medium itself. This is because a stained-glass window is a 'complex object' in that it is made from more than one component material, each with its own inherent risks and conservation needs (Pye 2001, 80).
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