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Music from the Motion Picture Pulp Fiction is the soundtrack to Quentin Tarantino's 1994 film Pulp Fiction, released on September 27, 1994, by MCA Records. No traditional film score was commissioned for Pulp Fiction. The film contains a mix of American rock and roll, surf music, pop and soul. The soundtrack is equally untraditional, consisting ...
The Pulp Fiction soundtrack has sold four million copies since its release. [18] [19] [20] By the end of the 1990s, Rachtman had music supervised or executive produced soundtracks for Clueless, Get Shorty, [21] The Basketball Diaries, Romeo + Juliet, Grace of My Heart, Boogie Nights, Bulworth and The Rugrats Movie, among others. [22]
The song appears on the soundtrack to the film Pulp Fiction.The song is played as characters Mia and Vincent begin their conversation in the restaurant. [4]The song was used on the NBC television series Heroes in chapter 14 of the fourth season, in the episode "Close to You", which aired January 11, 2010.
When Chuck Kelley took a job at the Video Archives rental store, he had no idea how his friendship with a charismatic co-worker would shape one of the most iconic soundtracks of all time.
"Scooby Snacks" is a song by American band Fun Lovin' Criminals from their debut album, Come Find Yourself (1996). The song was written by the band and contains several sampled quotes from Quentin Tarantino films, so Tarantino is also credited as a writer.
It was originally released on December 9, 1997. The soundtrack uses a variety of music genres, including soul. The soundtrack also includes dialogue from the motion picture and lacks a typical film score, similar to the other soundtracks of Tarantino films.
Reservoir Dogs: Original Motion Picture Soundtrack was the first soundtrack for a Tarantino film and set the structure his later soundtracks would follow. [1] This includes the extensive use of snippets of dialogue from the film. The soundtrack has selections of songs from the 1960s to '80s. Only the group Bedlam made new recordings for the film.
"In some cases, like 'Pulp Fiction' and 'Reservoir Dogs,' which were not geared toward any specific demographic, the soundtracks were still very focused albums," says Kathy Nelson, senior VP/general manager at MCA Soundtracks. "In both cases, the body of work--both the music and the film--has a specific personality."
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