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The second use of brass is found in a group of locks of intricate mechanism, the cases of which are of brass cast in openwork with a delicate pattern of scroll work and bird forms sometimes engraved. A further development shows solid brass cases covered with richly engraved designs (cf. Fig. 8).
From a distance the memorial appears as a solid wall of lit brass. As visitors approach, it becomes evident that the wall is in fact a vast assemblage of discrete, engraved brass plates, seemingly suspended in air and light.
The plates were typically made from industrial metals such as brass or iron. A typical format of inscribing the breastplates was to write the recipients name across the upper part of the plate's face, with the title below, sometimes 'King', 'Queen', or 'Chief'.
Brass group of 1378 commemorating Sir John Foxley and his two wives in St Michael's Church, Bray, Berkshire. A monumental brass is a type of engraved sepulchral memorial once found through Western Europe, which in the 13th century began to partially take the place of three-dimensional monuments and effigies carved in stone or wood.
Laser engraving metal plates are manufactured with a finely polished metal, coated with an enamel paint made to be "burned off". At levels of 10 to 30 watts, excellent engravings are made as the enamel is removed quite cleanly. Much laser engraving is sold as exposed brass or silver-coated steel lettering on a black or dark-enamelled background.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
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