Search results
Results from the WOW.Com Content Network
MR bills itself as "A Quarterly of Literature, the Arts, and Public Affairs." A key early focus was on civil rights as well as African-American history and culture; the Review published, among many others, Gwendolyn Brooks, Sterling A. Brown, Lucille Clifton, W.E.B. Du Bois, and Martin Luther King Jr. [3] Sidney Kaplan, a founder of the Du Bois Department of Afro-American Studies at the ...
Below is a list of literary magazines and journals: ... The Massachusetts Review (1959–current) The Masters Review (2009–current) Meanjin (1940–current, Australia)
In 1958, Chametzky penned a memo suggesting that the University of Massachusetts's English Department sponsor a new literary magazine; the following year, the Massachusetts Review, a quarterly publication, was launched. The name of the magazine was chosen to honor an earlier journal, Emerson's Massachusetts Quarterly Review. [14]
In 1995, the Mississippi Review was the first large literary magazine to launch a fully online issue. [10] By 1998, Fence and Timothy McSweeney's Quarterly Concern were published and quickly gained an audience. [11] Around 1996, literary magazines began to appear more regularly online.
The Mailer Review; Mānoa (journal) The Massachusetts Review; The Masters Review; Michigan Quarterly Review; The Minnesota Review; The Missouri Review; Modern Fiction Studies; Modern Language Notes; Modern Language Quarterly; Modern Philology; Monkeybicycle; The Morning News (online magazine) Mosaic (literary magazine) Mystery Scene; The Mythic ...
The Massachusetts Review; Modern Materials Handling; N. The Natural Farmer; ... Wilderness House Literary Review; Worcester Magazine; Z. The Zamboni (magazine) ZNetwork
CLMP was founded in 1967 by Robie Macauley, Reed Whittemore (The Carleton Miscellany, The New Republic); Jules Chametzky (The Massachusetts Review); George Plimpton (The Paris Review); and William Phillips (The Partisan Review) as the Coordinating Council of Literary Magazines (CCLM) at the suggestion of the National Endowment for the Arts (NEA). [4]
She left in 1980, passing the publication on to Arthur J. Rosenthal, director of the Harvard University Press, and for the next decade wrote about the culture and business of magazines, writing a column in Wilson Library Bulletin, and articles in such publications as Columbia Journalism Review, Massachusetts Review, and the Radcliffe Quarterly.