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The 7 Swans A-swimming are the gifts of the Holy Spirit, the seven sacraments. The 8 Maids A-milking are the eight beatitudes. The 9 Ladies Dancing are the nine fruits of the Holy Spirit.
Kurt Adler (March 1, 1907 – September 21, 1977) was an Austrian and American conductor, chorusmaster, author and pianist. He was best known as the chorus master and lead conductor of the Metropolitan Opera in New York City from 1943 to 1973. [ 1 ]
"The Twelve Days of Christmas" is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their "true love" on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).
Exeter Book Riddle 7 (according to the numbering of the Anglo-Saxon Poetic Records) [1] is one of the Old English riddles found in the later tenth-century Exeter Book, in this case on folio 103r. The solution is believed to be 'swan' and the riddle is noted as being one of the Old English riddles whose solution is most widely agreed on. [ 2 ]
[5] [6] [7] Critical reception of the album was very positive, continuing a string of well-received albums from the band. The album peaked at number 37 on US Billboard 200, and debuted at number 38 on the UK Albums Chart. Both are the highest chartings that Swans had ever achieved on a studio album and it is the first time that the band cracked ...
Foxes Swimming in Folktales Aesop’s Fables, for example, tell of a fox who tried to help a scorpion cross a raging river, and was stung for its efforts, causing both the death of the fox and its ...
[7] In deciding to reform Swans, Gira attempted to create a continuity between the band's last studio album—1996's Soundtracks for the Blind—as well as his subsequent work with Angels of Light; [8] for instance, the song "My Birth" includes lyrics written in 1997 originally for Swans. [9]
Young God is widely regarded by critics as one of Swans' most brutal releases, similar in sound to the band's first two albums, Filth (1983) and Cop (1984), but slightly more experimental. The subject matter is exemplified by the title track, which is written from the perspective of serial killer Ed Gein .
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