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The term 'theatre state' , originally coined for the Hindu kingdoms of Bali, could also be used for describing the Classic Maya kingdoms; it suggests the cohesion of the state to be dependent on elaborate royal rituals through which status differences between aristocratic families could find expression.
A theme in Inca mythology is the duality of the Cosmos. The realms were separated into the upper and lower realms, the hanan pacha and the ukhu pacha and urin pacha.Hanan pacha, the upper world, consisted of the deities of the sun, moon, stars, rainbow, and lightning while ukhu pacha and urin pacha were the realms of Pachamama, the earth mother, and the ancestors and heroes of the Inca or ...
Inca mythology of the Inca Empire was based on pre-Inca beliefs that can be found in the Huarochirí Manuscript, and in pre-Inca cultures including Chavín, Paracas, Moche, and the Nazca culture. The mythology informed and supported Inca religion. [1] One of the most important figures in pre-Inca Andean beliefs was the creator deity Viracocha.
This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion.The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh.
Most human civilizations - India, China, Egypt, Mesopotamia, Maya, and Inca, among others - based their culture on complex systems of astrology, which provided a link between the cosmos with the conditions and events on earth. For these, the astrological practice was not mere divination because it also served as the foundation for their ...
The Mesoamerican pantheon includes dozens of gods and goddesses in addition to the major deities described below. Tlāloc (Aztec) / Chaac (Maya) / Dzahui (Mixtec) / Cocijo (Zapotec) - Chief rain god; deity of water, fertility, rain, and storms, also with mountain associations. Recognizable by his goggle-like eyes and distinctive fangs.
The Maya gods included Kukulkán (also known by the Kʼicheʼ name Gukumatz and the Aztec name Quetzalcoatl) and Tepeu. The two were referred to as the Creators, the Forefathers or the Makers. According to the story, the two gods decided to preserve their legacy by creating an Earth-bound species looking like them.
Scholars have compared him to the maize hero of the Gulf Coast peoples and identified several episodes from this deity's mythology in Maya art, such as his aquatic birth and rebirth, his musical challenge to the deities of water and rain (on San Bartolo's west wall) and his victorious emergence from the latter's turtle abode. [31]