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The use of the word "generative" in the discussion of art has developed over time. The use of "Artificial DNA" defines a generative approach to art focused on the construction of a system able to generate unpredictable events, all with a recognizable common character.
The Arte de la lengua mexicana con la declaración de los adverbios della is a grammar of the Nahuatl language in Spanish by Jesuit grammarian Horacio Carochi.This classic work on the Classical Nahuatl language is now considered by linguists to be the finest and most useful of the many extant early grammars of Nahuatl.
Generative artificial intelligence (generative AI, GenAI, [1] or GAI) is a subset of artificial intelligence that uses generative models to produce text, images, videos, or other forms of data.
A landmark event for Modernism in the region was, the Semana de Arte Moderna or Modern Art Week, a festival that took place in São Paulo, Brazil, in 1922, marking the beginning of Brazil's Modernismo movement. "[T]hough a number of individual Brazilian artists were doing modernist work before the Week, it coalesced and defined the movement and ...
The Dehumanization of Art and Other Essays on Art, Culture, and Literature is the first English translation of philosopher José Ortega y Gasset's La deshumanización del Arte e Ideas sobre la novela, published in 1925. This composition includes three more essays in addition to Ortega's original work.
The Arte de la lengua mexicana y castellana is a grammar of the Nahuatl language in Spanish by Alonso de Molina. It was published in Mexico in 1571, the same year as his monumental dictionary, Vocabulario en lengua castellana y mexicana .
medios de prueba a su disposición o imponiéndole una carga de la prueba que, conforme a la legislación aplicable, debería corresponder a otra parte contratante.» B. Derecho nacional 9. El procedimiento judicial de ejecución hipotecaria está regulado en los artículos 693 y 695 a 698 de la Ley de Enjuiciamiento Civil. (3) 10.
La crítica de arte en el siglo XIX. 3 vols. Mexico City: UNAM 1964. Rodríguez Prampolini, Ida. "La figura del indio en la pintura del siglo XIX, fondo ideológico," Arte, Sociedad e Ideología. 3 (Oct-Nov. 1977). Romero de Terreros, Manuel. Catálogos de las Exposiciones de la Antigua Academia de San Carlos, 1850–1898. Mexico City: UNAM-IIE ...