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Macao is a 1952 American adventure film noir directed by Josef von Sternberg and Nicholas Ray and starring Robert Mitchum, Jane Russell, William Bendix, and Gloria Grahame. Shot in black-and-white, it was distributed by RKO Pictures.
One Minute to Zero is a 1952 American romantic war film starring Robert Mitchum and Ann Blyth, set during the opening phases of the Korean War, and produced by Howard Hughes as his last film as producer. [4] Victor Young's score for the film includes the first appearance of "When I Fall in Love", as the instrumental titled "Theme from One ...
Previews were held in early December 1952, with notices appearing throughout the month in Box Office, The Film Daily, The Hollywood Reporter, Motion Picture Herald and Variety. Early in the film, there is a scene where the script called for Robert Mitchum to slap a hysterical Jean Simmons across the face.
In July 1949. Robert Mitchum (1917–1997) was an American actor who appeared in over 110 films and television series over the course of his career. He is ranked 23rd on the American Film Institute's list of the 50 greatest American screen legends of all time. [1]
The Lusty Men is a 1952 Contemporary Western film released by Wald-Krasna Productions and RKO Radio Pictures starring Susan Hayward, Robert Mitchum, Arthur Kennedy and Arthur Hunnicutt.
Robert Mitchum was my favorite movie star because he represented, for me, the impenetrable mystery of the movies. He knew the inside story. With his deep, laconic voice and his long face and those famous weary eyes, he was the kind of guy you'd picture in a saloon at closing time, waiting for someone to walk in through the door and break his heart.
A list of American films released in 1952. ... Robert Mitchum, Ann Blyth, Charles McGraw: War: RKO: ... 1952 films at the Internet Movie Database This page was last ...
River of No Return is a 1954 American Western musical film directed by Otto Preminger and starring Robert Mitchum and Marilyn Monroe.The screenplay by Frank Fenton is based on a story by Louis Lantz, who borrowed his premise from the 1948 Italian film Bicycle Thieves. [5]
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