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Medal bearing the image of Claude Bourgelat by Alexis Joseph Depaulis. Claude Bourgelat (27 March 1712 – 3 January 1779) was a French veterinary surgeon.He was a founder of scientifically informed veterinary medicine, and he created the world's first two veterinary schools for professional training.
The National veterinary school of Alfort (French: École nationale vétérinaire d'Alfort or ENVA) is a French public institution of scientific research and higher education in veterinary medicine, located in Maisons-Alfort, Val-de-Marne, close to Paris. It is operated under the supervision of the ministry of Agriculture.
The National Veterinary School of Lyon (French: École nationale vétérinaire de Lyon or ENVL) is a French public institution of scientific research and higher education in veterinary medicine, located in Lyon. It is operated under the supervision of the ministry of Agriculture. It is a division of VetAgro Sup.
The Encyclopédistes (French: [ɑ̃siklɔpedist]) (also known in British English as Encyclopaedists, [1] or in U.S. English as Encyclopedists) were members of the Société des gens de lettres, a French writers' society, who contributed to the development of the Encyclopédie from June 1751 to December 1765 under the editors Denis Diderot and Jean le Rond d'Alembert, and only Diderot from 1765 ...
Review d'histoire des sciences et de leurs applications. 15: 153. Jonathan Simon, "Honoré Fragonard, anatomical virtuoso", in Science and Spectacle in the European Enlightenment, edited by Bernadette Bensaude-Vincent and Christine Blondel, Aldershot, Ashgate, 2008. Marc Mammerickx, Claude Bourgelat, avocat des vétérinaires, 1971.
Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers (French for 'Encyclopedia, or a Systematic Dictionary of the Sciences, Arts and Crafts'), [1] better known as Encyclopédie (French: [ɑ̃siklɔpedi]), was a general encyclopedia published in France between 1751 and 1772, with later supplements, revised editions, and translations.
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The first concert took place on March 18, 1725. Two of Delalande's motets and Corelli's Christmas Concerto were performed.. The series was managed by a succession of director-entrepreneurs, who paid a license fee in order to obtain a royal privilege which granted them an exception to the monopoly on public performance of music held by the Paris Opera (Académie Royale de Musique).