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The first page of All's Well, that Ends Well from the First Folio of Shakespeare's plays, published in 1623. All's Well That Ends Well is a play by William Shakespeare, published in the First Folio in 1623, where it is listed among the comedies. There is a debate regarding the dating of the composition of the play, with possible dates ranging ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Sonnet 62 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, addressed to the young man with whom Shakespeare shares an intimate but tormented connection. This sonnet brings together a number of themes that run through the cycle: the speaker's awareness of social and ...
[18] In Shakespeare's Sonnets: The Problems Solved, A. L. Rowse notes that Sonnet 138 shows the "uncompromising realism with which he [Shakespeare] describes it all: it has been said -- rightly-- that there is no woman like Shakespeare's in all the sonnet-literature of the Renaissance. Most of them are abstractions or wraiths; this one is of ...
Sonnet 57 is one of 154 sonnets written by the English playwright and poet William Shakespeare.It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
Troilus and Cressida, that most vexing and ambiguous of Shakespeare's plays, strikes the modern reader as a contemporary document – its investigation of numerous infidelities, its criticism of tragic pretensions, above all, its implicit debate between what is essential in human life and what is only existential are themes of the twentieth ...
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Sonnet 72 continues after Sonnet 71, with a plea by the poet to be forgotten.The poem avoids drowning in self-pity and exaggerated modesty by mixing in touches of irony. The first quatrain presents an image of the poet as dead and not worth remembering, and suggests an ironic reversal of roles with the idea of the young man reciting words to express his love for the poe