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Ethel Fisher (née Blankfield; 1923–2017) was an American painter whose career spanned more than seven decades in New York City, Miami and Los Angeles. [1] [2] [3] Her work ranges across abstraction and representational genres including large-scale portraiture, architectural "portraits," landscape and still-life, and is unified by a sustained formal emphasis on color and space.
Amy Qin described his thicket-filled abstract landscapes as "haunting". [7] Darryl Wee wrote that the 2011 exhibition of works by Zeng at the Gagosian Gallery 's Hong Kong branch was the highlight, referring to Man and Meat (1993) as "a disquieting allegory of frenzied, winner-take-all capitalism in contemporary China."
Pixel art [note 1] is a form of digital art drawn with graphical software where images are built using pixels as the only building block. [2] It is widely associated with the low-resolution graphics from 8-bit and 16-bit era computers, arcade machines and video game consoles, in addition to other limited systems such as LED displays and graphing calculators, which have a limited number of ...
Mountains and Sea is a 1952 painting by American abstract expressionist painter Helen Frankenthaler. [2] [3] Painted when Frankenthaler was 23 years old, it was her first professionally exhibited work. [4] Though initially panned by critics, Mountains and Sea later became her most influential and best known canvas. [5] [6]
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art , non-figurative art , non-objective art , and non-representational art are all closely related terms.
Kenneth Noland, Beginning, 1958, magna on canvas painting, Hirshhorn Museum and Sculpture Garden. Working in Washington, D.C., Noland was a pioneer of the color field movement in the late 1950s. Color field painting is a style of abstract painting that emerged in
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