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The Kimbell seated Bodhisattva belongs to a type known as the "Kapardin" statue of the Buddha, characterized by a "Kapardin" coil of hair on the top of the head. The top of the statue was broken, and a full decorated aureola with flying attendants initially stood behind the image of the Buddha. [8]
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The statue is seated on a round pedestal and posed with its right leg crossed over its left knee while the figure's right hand is touching its cheek and the left hand rests on the crossed leg. This contemplative pose was a popular subject of Buddhist art and the archetype spread from India to China and Korea and then to Japan.
The Buddha may be depicted in one of four postures: Sitting: If seated, the Buddha may be shown in one of three different positions; In the "heroic posture" (vīrāsana), with the legs folded over each other In the "adamantine posture" (vajrāsana; also known as "lotus position"), with the legs crossed so that the soles of both feet are turned up
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[12] [13] Another has an attendant reminding the portrait of Alexander the Great. [14] [15] Boardman suggested that the sculpture in the area might be an "incipient Buddhist sculpture in Indo-Greek style". [16] Figures of Herakles-Vajrapani with thunderbolt, and Tyche-Hariti with cornucopia, flanking a Buddha at Tapa Shotor, Hadda, 2nd century CE.
The Buddha statues were crafted to appear colossal in size so as to overwhelm worshipers. Sakyamuni, the largest of the three, is 3.5 m (11 ft) high and 2.5 m (8.2 ft) wide at the knees. Seated in the lotus position, the Buddha's upper body has rounded shoulders and a wide chest, while his hands are in the bhumisparsha mudrā. [58]